{"id":1680,"date":"2021-07-26T15:34:29","date_gmt":"2021-07-26T15:34:29","guid":{"rendered":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/?p=1680"},"modified":"2021-09-03T08:54:27","modified_gmt":"2021-09-03T08:54:27","slug":"la-collana-millelire-di-stampa-alternativa","status":"publish","type":"post","link":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/2021\/07\/26\/la-collana-millelire-di-stampa-alternativa\/","title":{"rendered":"La collana “Millelire” di Stampa Alternativa\/\/"},"content":{"rendered":"\n

Libriccini piccoli a prezzi popolari, su argomenti scomodi, sulle droghe, sulla filosofia “non allineata”, sull’ecologia. Libriccini che hanno rivoluzionato l’editoria Italiana a partire dal 1989.<\/p>\n\n\n\n

<\/p>\n\n\n\n\n\n\n\n\n

Negli anni ’90 in Italia si pagava con le Lire. 1000 Lire erano pochine, un prezzo decisamente popolare. Con l’arrivo dell’Euro il cambio di 1000 Lire era circa mezzo \u20acuro.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

La collana “Millelire” fuoriusc\u00ec dalla testa di Marcello Baraghini<\/a> nel 1989 nelle tipografie di Stampa Alternativa<\/strong>, casa editrice fondata dallo stesso Baraghini nel 1970.<\/p>\n\n\n\n

I Millelire si presentavano in una veste grafica scarna ma di assoluta qualit\u00e0 grafica. La carta era la classica carta di bassa qualit\u00e0, la “pulp” amata da Quentin Tarantino.<\/p>\n\n\n\n

I titoli erano dei pi\u00f9 svariati generi ma uniti dal comun denominatore di essere poco appetibili dalle grandi case editrici, per via dei temi trattati: droga, sesso, follia, storie di dittatori, aforismi irriferibili<\/strong>. Opere “minori” di grandi scrittori, classici e moderni.<\/p>\n\n\n\n

Nel\u00a01994\u00a0la collana \u00e8 stata insignita del\u00a0premio Compasso d’oro<\/strong> (sapete tutti cos’\u00e8?<\/a>)\u00a0per la\u00a0comunicazione\u00a0e la\u00a0grafica.<\/p>\n\n\n\n

Potete leggere la storia di Stampa Alternativa e dei mitici “Millelire” su wikipedia.<\/a><\/p>\n\n\n\n

\"\"<\/a>
La libreria “Strade Bianche”<\/strong> di Marcello Baraghini a Pitigliano (GR)<\/figcaption><\/figure>\n\n\n\n
<\/div>\n\n\n\n
\n

Potete scaricare e leggere un bel po’ di Millelire a questi indirizzi:<\/p>\n\n\n\n

\n
Stampa Alternativa<\/a><\/div>\n\n\n\n
Strade Bianche<\/a><\/div>\n<\/div>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Libriccini piccoli a prezzi popolari, su argomenti scomodi, sulle droghe, sulla filosofia “non allineata”, sull’ecologia. Libriccini che hanno rivoluzionato l’editoria Italiana a partire dal 1989.<\/p>\n","protected":false},"author":1,"featured_media":1723,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6],"tags":[40,13],"class_list":["post-1680","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-grafica","tag-graphic-design","tag-libri"],"yoast_head":"\nLa collana "Millelire" di Stampa Alternativa\/\/ - Marco Salmoiraghi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/2021\/07\/26\/la-collana-millelire-di-stampa-alternativa\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La collana "Millelire" di Stampa Alternativa\/\/ - Marco Salmoiraghi\" \/>\n<meta property=\"og:description\" content=\"Libriccini piccoli a prezzi popolari, su argomenti scomodi, sulle droghe, sulla filosofia “non allineata”, sull’ecologia. 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Alla radio davano la Gazza ladra di Rossini, il\u2026","rel":"","context":"In "grafica"","block_context":{"text":"grafica","link":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/category\/grafica\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/IMG_1424-scaled.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/IMG_1424-scaled.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/IMG_1424-scaled.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/IMG_1424-scaled.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/IMG_1424-scaled.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":3061,"url":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/2022\/11\/06\/n27-da-atipo-foundry\/","url_meta":{"origin":1680,"position":1},"title":"N27 da Atipo foundry","author":"Marco","date":"6 Novembre 2022","format":false,"excerpt":"Atipo foundry \u00e8 uno studio di design spagnolo creatore del carattere N27, che loro definiscono come \u201cThe first one avant-grotesk font family\u201d. Atipo foundry \u00e8 uno studio di design spagnolo. Tra i vari progetti e i vari caratteri creati ho trovato questo N27 che a mio avviso \u00e8 versatile, moderno\u2026","rel":"","context":"In "design"","block_context":{"text":"design","link":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/category\/design\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2022\/11\/N27-preview.png?fit=1004%2C300&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2022\/11\/N27-preview.png?fit=1004%2C300&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2022\/11\/N27-preview.png?fit=1004%2C300&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2022\/11\/N27-preview.png?fit=1004%2C300&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1328,"url":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/2021\/07\/06\/john-alcorn-grafico-e-illustratore-stile-opere-e-influenza-nel-design\/","url_meta":{"origin":1680,"position":2},"title":"John Alcorn grafico e illustratore: stile, opere e influenza nel design","author":"Marco","date":"6 Luglio 2021","format":false,"excerpt":"Uno dei grafici pi\u00f9 riconoscibili della scena, un grande maestro, quasi italiano anzi quasi fiorentino (a Firenze ha vissuto e lavorato a lungo) che mi ha affascinato fin da piccolo. Un post che \u00e8 pi\u00f9 un pro-memoria che altro. Uno scritto su John Alcorn che ho trovato molto interessante e\u2026","rel":"","context":"In "grafica"","block_context":{"text":"grafica","link":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/category\/grafica\/"},"img":{"alt_text":"John Alcorn - logo per il film \"Amarcord\" di Federico Fellini","src":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/07\/JohnAlcornAmarcord_900.jpg?fit=900%2C707&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/07\/JohnAlcornAmarcord_900.jpg?fit=900%2C707&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/07\/JohnAlcornAmarcord_900.jpg?fit=900%2C707&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/07\/JohnAlcornAmarcord_900.jpg?fit=900%2C707&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":3263,"url":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/2022\/12\/31\/l-1-tizio-tolomeo-la-storia-dellindustrial-design-in-tre-pezzi-facili\/","url_meta":{"origin":1680,"position":3},"title":"L-1, Tizio, Tolomeo: la storia dell’industrial design in tre pezzi facili","author":"Marco","date":"31 Dicembre 2022","format":false,"excerpt":"Jacobsen, Sapper, De Lucchi. L-1, Tizio, Tolomeo: tre icone del design in tre lampade da tavolo senza tempo. Jac Jacobsen, lampada da tavolo \u201cL-1\u201d, Luxo, 1937 Richar Sapper, lampada da scrivania \"Tizio\", Artemide, 1972 Michele De Lucchi e Giancarlo Fassina, lampada da tavolo \"Tolomeo\", Artemide, 1986 Luxo \"LC-1\" - Jac\u2026","rel":"","context":"In "industrial design"","block_context":{"text":"industrial design","link":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/category\/industrial-design\/"},"img":{"alt_text":"tolomeo-artemide","src":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2022\/12\/tolomeo-artemide.jpg?fit=960%2C540&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2022\/12\/tolomeo-artemide.jpg?fit=960%2C540&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2022\/12\/tolomeo-artemide.jpg?fit=960%2C540&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2022\/12\/tolomeo-artemide.jpg?fit=960%2C540&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":6192,"url":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/2025\/04\/29\/le-copertine-dei-dischi-jazz-della-blue-note\/","url_meta":{"origin":1680,"position":4},"title":"Le copertine dei dischi jazz della “Blue Note Records”","author":"Marco","date":"29 Aprile 2025","format":false,"excerpt":"Classe, eleganza, minimalismo, modernismo all\u2019ennesima potenza: parole che si accoppiano alla perfezione con il sound che usciva dai solchi dei vinili contenuti nelle copertine che diventano le immagini DEFINITIVE del jazz. Reid Miles (1927-1993) progett\u00f2 le copertine dei dischi jazz della Blue Note Records, oltre 500, tra i primi anni\u2026","rel":"","context":"In "creativit\u00e0"","block_context":{"text":"creativit\u00e0","link":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/category\/creativita\/"},"img":{"alt_text":"Lou Donaldson - Sunny Side Up - Blue Note Records","src":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2025\/04\/lou-donaldson-2.jpg?fit=1200%2C1199&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2025\/04\/lou-donaldson-2.jpg?fit=1200%2C1199&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2025\/04\/lou-donaldson-2.jpg?fit=1200%2C1199&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2025\/04\/lou-donaldson-2.jpg?fit=1200%2C1199&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2025\/04\/lou-donaldson-2.jpg?fit=1200%2C1199&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1960,"url":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/2021\/10\/13\/i-25-font-piu-usati-in-pubblicita\/","url_meta":{"origin":1680,"position":5},"title":"I 25 caratteri tipografici pi\u00f9 usati in pubblicit\u00e0\/\/","author":"Marco","date":"13 Ottobre 2021","format":false,"excerpt":"Non so se siano davvero i 25 font pi\u00f9 usati in pubblicit\u00e0 ma sicuramente sono una bella rassegna di caratteri tipografici classici e superfamosi, nonch\u00e9 egregiamente progettati. Articolo originale su https:\/\/www.mdirector.com\/en\/digital-marketing\/25-typefaces-advertising.html 1. Helvetica L\u2019Helvetica \u00e8 uno dei caratteri pi\u00f9 utilizzati in pubblicit\u00e0 e forse il pi\u00f9 noto al mondo. Creato\u2026","rel":"","context":"In "tipografia"","block_context":{"text":"tipografia","link":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/category\/tipografia\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/24-avant-garde-lubalin.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/24-avant-garde-lubalin.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/24-avant-garde-lubalin.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/24-avant-garde-lubalin.png?resize=700%2C400&ssl=1 2x"},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/07\/millelire.jpg?fit=1200%2C900&ssl=1","_links":{"self":[{"href":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/wp-json\/wp\/v2\/posts\/1680","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/wp-json\/wp\/v2\/comments?post=1680"}],"version-history":[{"count":25,"href":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/wp-json\/wp\/v2\/posts\/1680\/revisions"}],"predecessor-version":[{"id":1830,"href":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/wp-json\/wp\/v2\/posts\/1680\/revisions\/1830"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/wp-json\/wp\/v2\/media\/1723"}],"wp:attachment":[{"href":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/wp-json\/wp\/v2\/media?parent=1680"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/wp-json\/wp\/v2\/categories?post=1680"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/wp-json\/wp\/v2\/tags?post=1680"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}