{"id":1960,"date":"2021-10-13T15:52:59","date_gmt":"2021-10-13T15:52:59","guid":{"rendered":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/?p=1960"},"modified":"2025-04-29T06:53:54","modified_gmt":"2025-04-29T06:53:54","slug":"i-25-font-piu-usati-in-pubblicita","status":"publish","type":"post","link":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/2021\/10\/13\/i-25-font-piu-usati-in-pubblicita\/","title":{"rendered":"I 25 caratteri tipografici pi\u00f9 usati in pubblicit\u00e0\/\/"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Non so se siano davvero<strong> i 25 font pi\u00f9 usati in pubblicit\u00e0<\/strong> ma sicuramente sono una bella rassegna di caratteri tipografici classici e superfamosi, nonch\u00e9 egregiamente progettati.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Articolo originale su <a rel=\"noreferrer noopener\" href=\"https:\/\/www.mdirector.com\/en\/digital-marketing\/25-typefaces-advertising.html\" target=\"_blank\">https:\/\/www.mdirector.com\/en\/digital-marketing\/25-typefaces-advertising.html<\/a><\/p>\n\n\n\n<!--more-->\n\n\n\n<h2 class=\"wp-block-heading\">1. Helvetica<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"354\" height=\"500\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/1-typefaces-advertising-helvetica.webp?resize=354%2C500&#038;ssl=1\" alt=\"\" class=\"wp-image-1971\" style=\"width:609px;height:860px\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/1-typefaces-advertising-helvetica.webp?w=354&amp;ssl=1 354w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/1-typefaces-advertising-helvetica.webp?resize=212%2C300&amp;ssl=1 212w\" sizes=\"auto, (max-width: 354px) 100vw, 354px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">L\u2019Helvetica \u00e8 uno dei caratteri pi\u00f9 utilizzati in pubblicit\u00e0 e forse il pi\u00f9 noto al mondo. Creato nel 1957 da <strong>Max Miedinger e Edouard Hoffmann<\/strong>, \u00e8 stato l\u2019assoluto protagonista tra gli anni \u201960 e \u201970.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ha diverse varianti ed \u00e8 molto versatile nel mondo della grafica<\/strong>. Inoltre, come gi\u00e0 detto, ci\u00f2 che ti interessa \u00e8 individuare un font semplice e chiaro. L\u2019Helvetica \u00e8 molto semplice da leggere e pu\u00f2 essere utilizzato anche per creare un\u2019immagine corporate.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Anche se <strong>si utilizza molto per i titoli<\/strong>, la sua semplicit\u00e0 lo rende adattabile in diverse occasioni.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2. Bodoni<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"845\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/2-typefaces-advertising-bodoni.webp?resize=564%2C845&#038;ssl=1\" alt=\"\" class=\"wp-image-1972\" style=\"width:612px;height:917px\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/2-typefaces-advertising-bodoni.webp?w=564&amp;ssl=1 564w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/2-typefaces-advertising-bodoni.webp?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/2-typefaces-advertising-bodoni.webp?resize=500%2C749&amp;ssl=1 500w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Il Bodoni \u00e8 un font disegnato da Giambattista Bodoni nel 1798. La sua creazione \u00e8 il culmine di 300 anni di evoluzione della tipografia romana. \u00c8 nato dalla fusione tra linee sottili e spesse.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Attualmente, oltre ad essere utilizzato in pubblicit\u00e0, si utilizza molto nella stampa.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">3. Avenir<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"468\" height=\"553\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/3-typefaces-adevertising-avenir.png?resize=468%2C553&#038;ssl=1\" alt=\"\" class=\"wp-image-1973\" style=\"width:610px;height:721px\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/3-typefaces-adevertising-avenir.png?w=468&amp;ssl=1 468w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/3-typefaces-adevertising-avenir.png?resize=254%2C300&amp;ssl=1 254w\" sizes=\"auto, (max-width: 468px) 100vw, 468px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">L\u2019Avenir \u00e8 un font classico disegnato da Adrian Frutiger nel 1988. Frutiger \u00e8 uno dei tipografi pi\u00f9 noti del XX secolo e, oltre all\u2019Avenir ha creato l\u2019Univers e il Frutiger.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">4. Univers<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"743\" height=\"1024\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/4-typefaces-avertising-univers.webp?resize=743%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-1974\" style=\"width:610px;height:840px\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/4-typefaces-avertising-univers.webp?resize=743%2C1024&amp;ssl=1 743w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/4-typefaces-avertising-univers.webp?resize=218%2C300&amp;ssl=1 218w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/4-typefaces-avertising-univers.webp?resize=768%2C1059&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/4-typefaces-avertising-univers.webp?resize=1114%2C1536&amp;ssl=1 1114w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/4-typefaces-avertising-univers.webp?resize=500%2C689&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/4-typefaces-avertising-univers.webp?resize=800%2C1103&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/4-typefaces-avertising-univers.webp?w=1156&amp;ssl=1 1156w\" sizes=\"auto, (max-width: 743px) 100vw, 743px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Anche questo disegnato da Frutiger, nel 1957, \u00e8 uno <strong>dei font di successo della met\u00e0 del XX secolo<\/strong>. \u00c8 uno dei caratteri tipografici pi\u00f9 utilizzati in pubblicit\u00e0 e nei mezzi di comunicazione.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c8 chiaro, semplice e leggibile, quindi si adatta molto bene a diverse situazioni.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">5. Arial<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"866\" height=\"1024\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/5-typefaces-advertising-arial.webp?resize=866%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-1975\" style=\"width:610px;height:721px\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/5-typefaces-advertising-arial.webp?resize=866%2C1024&amp;ssl=1 866w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/5-typefaces-advertising-arial.webp?resize=254%2C300&amp;ssl=1 254w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/5-typefaces-advertising-arial.webp?resize=768%2C908&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/5-typefaces-advertising-arial.webp?resize=1299%2C1536&amp;ssl=1 1299w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/5-typefaces-advertising-arial.webp?resize=1733%2C2048&amp;ssl=1 1733w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/5-typefaces-advertising-arial.webp?resize=500%2C591&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/5-typefaces-advertising-arial.webp?resize=800%2C946&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/5-typefaces-advertising-arial.webp?resize=1280%2C1513&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/5-typefaces-advertising-arial.webp?resize=1920%2C2269&amp;ssl=1 1920w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/5-typefaces-advertising-arial.webp?resize=1568%2C1853&amp;ssl=1 1568w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/5-typefaces-advertising-arial.webp?w=2000&amp;ssl=1 2000w\" sizes=\"auto, (max-width: 866px) 100vw, 866px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Senza dubbio \u00e8 uno dei pi\u00f9 noti tra i sans serif, ovvero i font che terminano \u2018a bastone\u2019, senza decorazioni. Il suo boom \u00e8 dovuto all\u2019inserimento in Windows e nei primi siti web.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ti consigliamo di utilizzare fonts sans serif perch\u00e9 sono pi\u00f9 semplici da leggere sullo schermo.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">6. Futura<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"752\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/6-typefaces-advertising-futura.webp?resize=564%2C752&#038;ssl=1\" alt=\"\" class=\"wp-image-1976\" style=\"width:609px;height:812px\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/6-typefaces-advertising-futura.webp?w=564&amp;ssl=1 564w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/6-typefaces-advertising-futura.webp?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/6-typefaces-advertising-futura.webp?resize=500%2C667&amp;ssl=1 500w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Tra i fonts pi\u00f9 utilizzati in pubblicit\u00e0, ecco il pi\u00f9 famoso del XX secolo, il Futura. Questo carattere ha un\u2019ampia gamma di varianti.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fu creato da Paul Renner nel 1925 e fu influenzato dalla Bauhaus. \u00c8 un carattere molto elegante ed \u00e8 ideale per qualsiasi tipo di pubblicit\u00e0.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">7. Trajan<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"866\" height=\"1023\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/7-typefaces-advertising-trajan.webp?resize=866%2C1023&#038;ssl=1\" alt=\"\" class=\"wp-image-1977\" style=\"width:610px;height:720px\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/7-typefaces-advertising-trajan.webp?w=866&amp;ssl=1 866w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/7-typefaces-advertising-trajan.webp?resize=254%2C300&amp;ssl=1 254w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/7-typefaces-advertising-trajan.webp?resize=768%2C907&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/7-typefaces-advertising-trajan.webp?resize=500%2C591&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/7-typefaces-advertising-trajan.webp?resize=800%2C945&amp;ssl=1 800w\" sizes=\"auto, (max-width: 866px) 100vw, 866px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Il Trajan \u00e8 caratterizzato da uno stile antico. Questa caratteristica \u00e8 dovuta alla forma delle lettere, ispirata alle colonne di Trajano.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Disegnato da Carol Twombly, questo font \u00e8 nato con le sole lettere maiuscole. Nel 2001 sono state create anche le minuscole. \u00c8 un carattere adatto a contenuti particolari ed eleganti.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">8. VAG Rounded<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/8-typefaces-advertising-vag-rounded.webp?resize=1024%2C768&#038;ssl=1\" alt=\"\" class=\"wp-image-1978\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/8-typefaces-advertising-vag-rounded.webp?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/8-typefaces-advertising-vag-rounded.webp?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/8-typefaces-advertising-vag-rounded.webp?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/8-typefaces-advertising-vag-rounded.webp?resize=1536%2C1152&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/8-typefaces-advertising-vag-rounded.webp?resize=500%2C375&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/8-typefaces-advertising-vag-rounded.webp?resize=800%2C600&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/8-typefaces-advertising-vag-rounded.webp?resize=1280%2C960&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/8-typefaces-advertising-vag-rounded.webp?resize=1568%2C1176&amp;ssl=1 1568w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/8-typefaces-advertising-vag-rounded.webp?w=1920&amp;ssl=1 1920w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00c8 un carattere geometrico, sans serif, disegnato come carattere corporate dalla Volkswagen nel 1979<\/strong>. Attualmente \u00e8 di propriet\u00e0 di Adobe.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Si utilizza molto in pubblicit\u00e0 ed \u00e8 una buona opzione per i loghi.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">9. Minion<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"867\" height=\"1024\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/9-typefaces-advertising-minion.webp?resize=867%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-1979\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/9-typefaces-advertising-minion.webp?resize=867%2C1024&amp;ssl=1 867w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/9-typefaces-advertising-minion.webp?resize=254%2C300&amp;ssl=1 254w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/9-typefaces-advertising-minion.webp?resize=768%2C907&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/9-typefaces-advertising-minion.webp?resize=1300%2C1536&amp;ssl=1 1300w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/9-typefaces-advertising-minion.webp?resize=1733%2C2048&amp;ssl=1 1733w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/9-typefaces-advertising-minion.webp?resize=500%2C591&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/9-typefaces-advertising-minion.webp?resize=800%2C945&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/9-typefaces-advertising-minion.webp?resize=1280%2C1512&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/9-typefaces-advertising-minion.webp?resize=1920%2C2268&amp;ssl=1 1920w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/9-typefaces-advertising-minion.webp?resize=1568%2C1853&amp;ssl=1 1568w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/9-typefaces-advertising-minion.webp?w=2000&amp;ssl=1 2000w\" sizes=\"auto, (max-width: 867px) 100vw, 867px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Il Minion \u00e8 un carattere molto usato in pubblicit\u00e0 grazie alle sue origini. Robert Slimbach lo ha creato nel 1990 per Adobe e, grazie alle sue varianti, si utilizza per dare vita a diversi elementi.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">10. Garamond<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"744\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/10-typefaces-advertising-garamond.webp?resize=1024%2C744&#038;ssl=1\" alt=\"\" class=\"wp-image-1980\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/10-typefaces-advertising-garamond.webp?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/10-typefaces-advertising-garamond.webp?resize=300%2C218&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/10-typefaces-advertising-garamond.webp?resize=768%2C558&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/10-typefaces-advertising-garamond.webp?resize=500%2C363&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/10-typefaces-advertising-garamond.webp?resize=800%2C581&amp;ssl=1 800w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Questo font fu disegnato da Claude Garamond, uno stampatore di Parigi. Nacque da una specifica richiesta del Re Francesco I di Francia, che lo incaric\u00f2 di creare un font con caratteri greci per pubblicare l\u2019opera \u2018Alphabetum Graecum\u2019. Cos\u00ec nacque il font Garamond.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Al giorno d\u2019oggi \u00e8 uno dei caratteri pi\u00f9 utilizzati in pubblicit\u00e0 grazie ad una versione del 1998, quando Robert Slimbach rese il font pi\u00f9 elegante.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">11. Frutiger<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"899\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/11-typefaces-advertising-frutiger.webp?resize=564%2C899&#038;ssl=1\" alt=\"\" class=\"wp-image-1981\" style=\"width:610px;height:972px\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/11-typefaces-advertising-frutiger.webp?w=564&amp;ssl=1 564w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/11-typefaces-advertising-frutiger.webp?resize=188%2C300&amp;ssl=1 188w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/11-typefaces-advertising-frutiger.webp?resize=500%2C797&amp;ssl=1 500w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Non hai mai pensato quale possa essere il font per la segnaletica aeroportuale? \u00c8 abbastanza riconoscibile. Adrian Frutiger ha creato il font per la segnaletica dell\u2019Aeroporto Charles de Gaulle di Parigi. E anche se, in un primo momento, fu pensato come font sans serif, l\u2019attuale gamma ha anche alcune versioni serif.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c8 un carattere molto comune anche nel web e nella creazione di loghi.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">12. Calibri<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"732\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/12-typefaces-advertising-calibri.webp?resize=1024%2C732&#038;ssl=1\" alt=\"\" class=\"wp-image-1982\" style=\"width:611px;height:437px\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/12-typefaces-advertising-calibri.webp?resize=1024%2C732&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/12-typefaces-advertising-calibri.webp?resize=300%2C214&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/12-typefaces-advertising-calibri.webp?resize=768%2C549&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/12-typefaces-advertising-calibri.webp?resize=1536%2C1097&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/12-typefaces-advertising-calibri.webp?resize=500%2C357&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/12-typefaces-advertising-calibri.webp?resize=800%2C572&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/12-typefaces-advertising-calibri.webp?resize=1280%2C915&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/12-typefaces-advertising-calibri.webp?resize=1920%2C1372&amp;ssl=1 1920w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/12-typefaces-advertising-calibri.webp?resize=1568%2C1120&amp;ssl=1 1568w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/12-typefaces-advertising-calibri.webp?w=2000&amp;ssl=1 2000w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Calibri \u00e8 un carattere disponibile nel pacchetto Office di Microsoft dal 2007. \u00c8 il carattere creato per l\u2019uso standard del pacchetto. <strong>Ha sostituito il Times New Roman e l\u2019arial <\/strong>ed \u00e8 un carattere a bastone, senza serif o ornamenti.<br>Molto utilizzato nelle chat, nelle presentazioni e nell\u2019emailing.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">13. Meta<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"953\" height=\"782\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/13-typefaces-advertising-meta.png?resize=953%2C782&#038;ssl=1\" alt=\"\" class=\"wp-image-1983\" style=\"width:610px;height:500px\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/13-typefaces-advertising-meta.png?w=953&amp;ssl=1 953w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/13-typefaces-advertising-meta.png?resize=300%2C246&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/13-typefaces-advertising-meta.png?resize=768%2C630&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/13-typefaces-advertising-meta.png?resize=500%2C410&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/13-typefaces-advertising-meta.png?resize=800%2C656&amp;ssl=1 800w\" sizes=\"auto, (max-width: 953px) 100vw, 953px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Creato da Erik Siekermann alla fine degli anni \u201990, il font Meta \u00e8 molto flessibile e adatto per ogni tipo di pubblicit\u00e0. \u00c8 molto popolare.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">14. Gill Sans<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"867\" height=\"1024\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/14-GillSansEG.png?resize=867%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-2008\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/14-GillSansEG.png?resize=867%2C1024&amp;ssl=1 867w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/14-GillSansEG.png?resize=254%2C300&amp;ssl=1 254w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/14-GillSansEG.png?resize=768%2C908&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/14-GillSansEG.png?resize=500%2C591&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/14-GillSansEG.png?resize=800%2C945&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/14-GillSansEG.png?w=1024&amp;ssl=1 1024w\" sizes=\"auto, (max-width: 867px) 100vw, 867px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image aligncenter\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/cdn-blog.mdirector.com\/wp-content\/uploads\/2017\/04\/14.-caratteri-tipografici-pip%C3%B9-utilizzati-in-pubblicit%C3%A0-Gill-Sans.jpg?ssl=1\" alt=\"Caratteri tipografici pi\u00f9 utilizzati in pubblicit\u00e0: Gill Sans\" class=\"wp-image-41314\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Sapevi che il Gill Sans \u00e8 il carattere utilizzato nella metropolitana di Londra?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fu creato dal tipografo Eric Gill e pubblicato all\u2019inizio del XX secolo. \u00c8 un carattere molto versatile con differenti funzioni.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">15. Myriad<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"732\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/15-typefaces-advertising-myriad.webp?resize=1024%2C732&#038;ssl=1\" alt=\"\" class=\"wp-image-1985\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/15-typefaces-advertising-myriad.webp?resize=1024%2C732&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/15-typefaces-advertising-myriad.webp?resize=300%2C214&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/15-typefaces-advertising-myriad.webp?resize=768%2C549&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/15-typefaces-advertising-myriad.webp?resize=1536%2C1097&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/15-typefaces-advertising-myriad.webp?resize=500%2C357&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/15-typefaces-advertising-myriad.webp?resize=800%2C572&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/15-typefaces-advertising-myriad.webp?resize=1280%2C915&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/15-typefaces-advertising-myriad.webp?resize=1920%2C1372&amp;ssl=1 1920w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/15-typefaces-advertising-myriad.webp?resize=1568%2C1120&amp;ssl=1 1568w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/15-typefaces-advertising-myriad.webp?w=2000&amp;ssl=1 2000w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Il Myriad \u00e8 un carattere sans serif disegnato da Robert Slimback e Carol Twombly per Adobe Systems. Anche se \u00e8 comunemente noto come<strong> font utilizzato da Apple dal 2002.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Uno dei problemi che si incontrano quando si sceglie un font \u00e8 che spesso \u00e8 difficile scegliere tra differenti versioni. Soprattutto perch\u00e9 non sappiamo da cosa sono differenziati. Nel caso del Myriad possiamo riconoscere il font per il fondo della sua \u2018y\u2019 e per il taglio della sua \u2018e\u2019. La differenza \u00e8 nei piccoli dettagli.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">16. Interstate<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"867\" height=\"1024\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/16-typefaces-advertising-interstate.webp?resize=867%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-1986\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/16-typefaces-advertising-interstate.webp?resize=867%2C1024&amp;ssl=1 867w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/16-typefaces-advertising-interstate.webp?resize=254%2C300&amp;ssl=1 254w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/16-typefaces-advertising-interstate.webp?resize=768%2C908&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/16-typefaces-advertising-interstate.webp?resize=500%2C591&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/16-typefaces-advertising-interstate.webp?resize=800%2C945&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/16-typefaces-advertising-interstate.webp?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 867px) 100vw, 867px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">L\u2019Interstate \u00e8 stato disegnato da Tobias Frere Jones ed \u00e8 ispirato all\u2019alfabeto che si utilizzava per le indicazioni autostradali negli Stati Uniti.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c8 molto leggibile e si utilizza molto nei siti web, sulle riviste e sui settimanali. \u00c8 una buona scelta per dar vita ai tuoi contenuti.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">17. Times New Roman<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"871\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/17-typefaces-advertising-times-new-roman.webp?resize=564%2C871&#038;ssl=1\" alt=\"\" class=\"wp-image-1987\" style=\"width:610px;height:942px\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/17-typefaces-advertising-times-new-roman.webp?w=564&amp;ssl=1 564w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/17-typefaces-advertising-times-new-roman.webp?resize=194%2C300&amp;ssl=1 194w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/17-typefaces-advertising-times-new-roman.webp?resize=500%2C772&amp;ssl=1 500w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Se parliamo dei font pi\u00f9 utilizzati in pubblicit\u00e0, non pu\u00f2 mancare il Times New Roma. Si tratta di <strong>uno dei primi font ad essere stato digitalizzato, quindi \u00e8 presente quasi ovunque.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Che sia per la stampa, per i libri o le riviste, questo font funziona perfettamente sulla carta ed \u00e8 una scelta ottimale per la comunicazione off line.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">18. Clarendon<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"867\" height=\"1024\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/18-Clarendon.png?resize=867%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-2014\" style=\"width:612px;height:723px\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/18-Clarendon.png?resize=867%2C1024&amp;ssl=1 867w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/18-Clarendon.png?resize=254%2C300&amp;ssl=1 254w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/18-Clarendon.png?resize=768%2C908&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/18-Clarendon.png?resize=500%2C591&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/18-Clarendon.png?resize=800%2C945&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/18-Clarendon.png?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 867px) 100vw, 867px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image aligncenter\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/cdn-blog.mdirector.com\/wp-content\/uploads\/2017\/04\/18.-caratteri-tipografici-pip%C3%B9-utilizzati-in-pubblicit%C3%A0-Clarendon.jpg?ssl=1\" alt=\"Caratteri tipografici pi\u00f9 utilizzati in pubblicit\u00e0: Clarendon\" class=\"wp-image-41320\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c8 un carattere creato da Robert Besley nel 1845 ed \u00e8 il primo font registrato.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Come curiosit\u00e0 ti dico che \u00e8 un font che \u00e8 stato utilizzato molto durante la Prima Guerra Mondiale per le proclamazioni. In pubblicit\u00e0 si utilizza per dare un tocco speciale ad alcuni contenuti e per creare annunci particolari. Dona molta personalit\u00e0 alle tue comunicazioni.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">19. Eurostile<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"868\" height=\"1024\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/19-typefaces-advertising-eurostile-868x1024.webp?resize=868%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-1989\" style=\"width:612px;height:722px\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/19-typefaces-advertising-eurostile.webp?resize=868%2C1024&amp;ssl=1 868w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/19-typefaces-advertising-eurostile.webp?resize=254%2C300&amp;ssl=1 254w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/19-typefaces-advertising-eurostile.webp?resize=768%2C906&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/19-typefaces-advertising-eurostile.webp?resize=1302%2C1536&amp;ssl=1 1302w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/19-typefaces-advertising-eurostile.webp?resize=1736%2C2048&amp;ssl=1 1736w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/19-typefaces-advertising-eurostile.webp?resize=500%2C590&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/19-typefaces-advertising-eurostile.webp?resize=800%2C944&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/19-typefaces-advertising-eurostile.webp?resize=1280%2C1510&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/19-typefaces-advertising-eurostile.webp?resize=1920%2C2266&amp;ssl=1 1920w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/19-typefaces-advertising-eurostile.webp?resize=1568%2C1850&amp;ssl=1 1568w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/19-typefaces-advertising-eurostile.webp?w=2000&amp;ssl=1 2000w\" sizes=\"auto, (max-width: 868px) 100vw, 868px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Fu disegnato nel 1952 da Aldo Novarese e Alessandro Butti. Come puoi vedere, l\u2019aspetto geometrico lo rende una scelta perfetta per le pubblicit\u00e0 nel settore tecnologico.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">20. Franklin Gothic<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"866\" height=\"1024\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/20-typefaces-advertising-franklin-gothic.webp?resize=866%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-1990\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/20-typefaces-advertising-franklin-gothic.webp?resize=866%2C1024&amp;ssl=1 866w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/20-typefaces-advertising-franklin-gothic.webp?resize=254%2C300&amp;ssl=1 254w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/20-typefaces-advertising-franklin-gothic.webp?resize=768%2C908&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/20-typefaces-advertising-franklin-gothic.webp?resize=500%2C591&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/20-typefaces-advertising-franklin-gothic.webp?resize=800%2C946&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/20-typefaces-advertising-franklin-gothic.webp?w=1000&amp;ssl=1 1000w\" sizes=\"auto, (max-width: 866px) 100vw, 866px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Il suo autore, Morris Fuller Benton, \u00e8 il creatore di numerosi font utilizzati in pubblicit\u00e0. Il Franklin Gothic si utilizza moltissimo per i titoli delle testate giornalistiche e per progetti con diverse varianti.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">21. Gotham<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"866\" height=\"1024\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/21-typefaces-advertising-gotham.webp?resize=866%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-1991\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/21-typefaces-advertising-gotham.webp?resize=866%2C1024&amp;ssl=1 866w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/21-typefaces-advertising-gotham.webp?resize=254%2C300&amp;ssl=1 254w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/21-typefaces-advertising-gotham.webp?resize=768%2C908&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/21-typefaces-advertising-gotham.webp?resize=1299%2C1536&amp;ssl=1 1299w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/21-typefaces-advertising-gotham.webp?resize=1733%2C2048&amp;ssl=1 1733w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/21-typefaces-advertising-gotham.webp?resize=500%2C591&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/21-typefaces-advertising-gotham.webp?resize=800%2C946&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/21-typefaces-advertising-gotham.webp?resize=1280%2C1513&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/21-typefaces-advertising-gotham.webp?resize=1920%2C2269&amp;ssl=1 1920w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/21-typefaces-advertising-gotham.webp?resize=1568%2C1853&amp;ssl=1 1568w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/21-typefaces-advertising-gotham.webp?w=2000&amp;ssl=1 2000w\" sizes=\"auto, (max-width: 866px) 100vw, 866px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c8 forse uno dei caratteri pi\u00f9 riconosciuti. Un noto sito web tedesco lo ha messo al 41 posto tra i 100 migliori fonts di tutti i tempi. Il Gotham ha avuto il suo boom quando Obama lo scelse per la sua campagna politica.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Come puoi vedere i font pi\u00f9 utilizzati e con uno stile pi\u00f9 semplice e leggibile sono i migliori.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">22. DIN<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"866\" height=\"1024\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/22-typefaces-advertising-DIN.webp?resize=866%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-1992\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/22-typefaces-advertising-DIN.webp?resize=866%2C1024&amp;ssl=1 866w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/22-typefaces-advertising-DIN.webp?resize=254%2C300&amp;ssl=1 254w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/22-typefaces-advertising-DIN.webp?resize=768%2C908&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/22-typefaces-advertising-DIN.webp?resize=1299%2C1536&amp;ssl=1 1299w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/22-typefaces-advertising-DIN.webp?resize=1733%2C2048&amp;ssl=1 1733w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/22-typefaces-advertising-DIN.webp?resize=500%2C591&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/22-typefaces-advertising-DIN.webp?resize=800%2C946&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/22-typefaces-advertising-DIN.webp?resize=1280%2C1513&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/22-typefaces-advertising-DIN.webp?resize=1920%2C2269&amp;ssl=1 1920w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/22-typefaces-advertising-DIN.webp?resize=1568%2C1853&amp;ssl=1 1568w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/22-typefaces-advertising-DIN.webp?w=2000&amp;ssl=1 2000w\" sizes=\"auto, (max-width: 866px) 100vw, 866px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Il DIN \u00e8 una creazione pi\u00f9 recente, realizzata dal tedesco Albert Jan Pool nel 19950<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Si tratta del carattere pi\u00f9 utilizzato in pubblicit\u00e0 dato che ottiene il favore della maggior parte dei grafici.<\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">23. Cocon<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"535\" height=\"267\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/cocon-ttf.jpg?resize=535%2C267&#038;ssl=1\" alt=\"\" class=\"wp-image-2025\" style=\"width:611px;height:305px\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/cocon-ttf.jpg?w=535&amp;ssl=1 535w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/cocon-ttf.jpg?resize=300%2C150&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/cocon-ttf.jpg?resize=500%2C250&amp;ssl=1 500w\" sizes=\"auto, (max-width: 535px) 100vw, 535px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image aligncenter\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/cdn-blog.mdirector.com\/wp-content\/uploads\/2017\/04\/23.-caratteri-tipografici-pip%C3%B9-utilizzati-in-pubblicit%C3%A0-Cocon.jpg?ssl=1\" alt=\"Caratteri tipografici pi\u00f9 utilizzati in pubblicit\u00e0: Cocon\" class=\"wp-image-41325\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c8 stato creato da Evert Bloemsma nel 1998 ed \u00e8 uno dei pi\u00f9 recenti. \u00c8 un font con molta personalit\u00e0 e carattere. Si utilizza moltissimo in pubblicit\u00e0 e, soprattutto, nel packaging.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">24. Avant Garde<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"360\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/24-avant-garde-lubalin.png?resize=720%2C360&#038;ssl=1\" alt=\"\" class=\"wp-image-2027\" style=\"width:610px;height:305px\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/24-avant-garde-lubalin.png?w=720&amp;ssl=1 720w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/24-avant-garde-lubalin.png?resize=300%2C150&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/24-avant-garde-lubalin.png?resize=500%2C250&amp;ssl=1 500w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Ogni testo scritto in Avant Garde viene legato, irrimediabilmente alla Adidas. Il brand ha dato un forte impulso all\u2019utilizzo di questo font e oggi \u00e8 uno dei pi\u00f9 noti e riconoscibili.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"692\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/24-typefaces-advertising-avant-garde-1.webp?resize=1024%2C692&#038;ssl=1\" alt=\"\" class=\"wp-image-2028\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/24-typefaces-advertising-avant-garde-1.webp?resize=1024%2C692&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/24-typefaces-advertising-avant-garde-1.webp?resize=300%2C203&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/24-typefaces-advertising-avant-garde-1.webp?resize=768%2C519&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/24-typefaces-advertising-avant-garde-1.webp?resize=1536%2C1038&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/24-typefaces-advertising-avant-garde-1.webp?resize=500%2C338&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/24-typefaces-advertising-avant-garde-1.webp?resize=800%2C540&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/24-typefaces-advertising-avant-garde-1.webp?resize=1280%2C865&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/24-typefaces-advertising-avant-garde-1.webp?resize=1920%2C1297&amp;ssl=1 1920w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/24-typefaces-advertising-avant-garde-1.webp?resize=1568%2C1059&amp;ssl=1 1568w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/24-typefaces-advertising-avant-garde-1.webp?w=2000&amp;ssl=1 2000w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">L\u2019autore Herb Lubalin ha creato il font per la rivista Avant Garde Magazine nel 1967 e successivamente il carattere ha subito un restiling grazie alla collaborazione di Tom Carnase, con l\u2019inserimento dei caratteri minuscoli.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">25. Bickham Script<\/h3>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/25-typefaces-advertising-Bickham-Script.webp?resize=1024%2C682&#038;ssl=1\" alt=\"\" class=\"wp-image-1995\" style=\"width:610px;height:406px\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/25-typefaces-advertising-Bickham-Script.webp?resize=1024%2C682&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/25-typefaces-advertising-Bickham-Script.webp?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/25-typefaces-advertising-Bickham-Script.webp?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/25-typefaces-advertising-Bickham-Script.webp?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/25-typefaces-advertising-Bickham-Script.webp?resize=500%2C333&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/25-typefaces-advertising-Bickham-Script.webp?resize=800%2C533&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/25-typefaces-advertising-Bickham-Script.webp?resize=1280%2C853&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/25-typefaces-advertising-Bickham-Script.webp?resize=1920%2C1280&amp;ssl=1 1920w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/25-typefaces-advertising-Bickham-Script.webp?resize=1568%2C1045&amp;ssl=1 1568w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/25-typefaces-advertising-Bickham-Script.webp?w=2000&amp;ssl=1 2000w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image aligncenter\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/cdn-blog.mdirector.com\/wp-content\/uploads\/2017\/04\/25.-caratteri-tipografici-pip%C3%B9-utilizzati-in-pubblicit%C3%A0-Bickham-Script.png?ssl=1\" alt=\"Caratteri tipografici pip\u00f9 utilizzati in pubblicit\u00e0: Bickham Script\" class=\"wp-image-41327\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Anche se non \u00e8 uno dei fonts pi\u00f9 leggibili, il Bickham Script si utilizza molto per dare un tocco speciale ai contenuti, soprattutto per quelli che necessitano di uno stile formale e classico.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Utilizzato in un contesto particolare, pu\u00f2 essere un\u2019ottima scelta. Ma non \u00e8 consigliabile utilizzarlo per contenuti lunghi e dove la lettura non \u00e8 ottimale.<strong> Si tratta di un carattere pi\u00f9 estetico che funzionale. Per questo se lo scegli, devi tenere conto che potrai usarlo per situazioni particolari.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Non so se siano davvero i 25 font pi\u00f9 usati in pubblicit\u00e0 ma sicuramente sono una bella rassegna di caratteri tipografici classici e superfamosi, nonch\u00e9 egregiamente progettati. Articolo originale su https:\/\/www.mdirector.com\/en\/digital-marketing\/25-typefaces-advertising.html<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[73],"tags":[75],"class_list":["post-1960","post","type-post","status-publish","format-standard","hentry","category-tipografia","tag-advertising"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>I 25 caratteri tipografici pi\u00f9 usati in pubblicit\u00e0\/\/ - Marco Salmoiraghi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/2021\/10\/13\/i-25-font-piu-usati-in-pubblicita\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"I 25 caratteri tipografici pi\u00f9 usati in pubblicit\u00e0\/\/ - Marco Salmoiraghi\" \/>\n<meta property=\"og:description\" content=\"Non so se siano davvero i 25 font pi\u00f9 usati in pubblicit\u00e0 ma sicuramente sono una bella rassegna di caratteri tipografici classici e superfamosi, nonch\u00e9 egregiamente progettati. 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La tipografia moderna intesa come riproduzione in serie di libri e altri manufatti scritti \u00e8\u2026","rel":"","context":"In &quot;creativit\u00e0&quot;","block_context":{"text":"creativit\u00e0","link":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/category\/creativita\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/Gutenberg.jpg?fit=944%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/Gutenberg.jpg?fit=944%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/Gutenberg.jpg?fit=944%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/Gutenberg.jpg?fit=944%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4901,"url":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/2024\/08\/02\/olimpiadi-per-graphic-designer\/","url_meta":{"origin":1960,"position":2},"title":"Olimpiadi per graphic designer","author":"Marco","date":"2 Agosto 2024","format":false,"excerpt":"Una manifestazione mondiale come i Giochi della XXXIII Olimpiade (a.k.a. Paris 2024) non pu\u00f2 non avere un set grafico e di comunicazione di livello altrettanto mondiale... come dire Olimpiadi per graphic designer! Vediamo quali sono i simboli grafici dei \"Giochi\". 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Il primo obiettivo era la\u2026","rel":"","context":"In &quot;design&quot;","block_context":{"text":"design","link":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/category\/design\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2025\/09\/scuola-svizzera-anni2000-2.jpg?fit=1140%2C760&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2025\/09\/scuola-svizzera-anni2000-2.jpg?fit=1140%2C760&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2025\/09\/scuola-svizzera-anni2000-2.jpg?fit=1140%2C760&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2025\/09\/scuola-svizzera-anni2000-2.jpg?fit=1140%2C760&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2025\/09\/scuola-svizzera-anni2000-2.jpg?fit=1140%2C760&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":3189,"url":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/2022\/12\/22\/le-locandine-del-teatro-del-maggio-musicale-fiorentino\/","url_meta":{"origin":1960,"position":4},"title":"Le locandine del Teatro del Maggio Musicale Fiorentino","author":"Marco","date":"22 Dicembre 2022","format":false,"excerpt":"Quando la buona tipografia basta alla grafica... Trovo di grande equilibrio le locandine create per il Teatro del Maggio Musicale Fiorentino. Il carattere tipografico dovrebbe essere un Baskerville (bold condensed?). Molto bello anche il colore di highlight #EA5044. Il nero \u00e8 un nero pieno #000000. In rari casi, quando le\u2026","rel":"","context":"In &quot;grafica&quot;","block_context":{"text":"grafica","link":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/category\/grafica\/"},"img":{"alt_text":"Maggio Musicale Fiorentino - Linda di Chamounix","src":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2022\/12\/Locandiana_Linda.jpg?fit=840%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2022\/12\/Locandiana_Linda.jpg?fit=840%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2022\/12\/Locandiana_Linda.jpg?fit=840%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2022\/12\/Locandiana_Linda.jpg?fit=840%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1022,"url":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/2021\/05\/17\/la-divina-commedia\/","url_meta":{"origin":1960,"position":5},"title":"La Divina Commedia in grafica\/\/","author":"Marco","date":"17 Maggio 2021","format":false,"excerpt":"Inferno, Purgatorio e Paradiso, uno studio sull'anima dei caratteri tipografici e dei colori. La Divina Commedia in grafica, un lavoro sul carattere dei caratteri. esperimenti di tipografia Inferno Il rosso della passione per il Male che vi divor\u00f2 in vita e che vi dann\u00f2 dopo la vita. 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