{"id":375,"date":"2020-04-19T23:24:37","date_gmt":"2020-04-19T23:24:37","guid":{"rendered":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/?p=375"},"modified":"2021-07-07T11:59:31","modified_gmt":"2021-07-07T11:59:31","slug":"murakami-aruki-luccello-che-girava-le-viti-del-mondo","status":"publish","type":"post","link":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/2020\/04\/19\/murakami-aruki-luccello-che-girava-le-viti-del-mondo\/","title":{"rendered":"Una copertina: Murakami &#8211; L&#8217;uccello che girava le viti del mondo\/\/"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Ogni tanto, per caso, riaffiorano libri che hai amato e che avevi scordato.<\/p>\n\n\n\n<!--more-->\n\n\n\n<blockquote class=\"wp-block-quote has-text-align-left is-style-default is-layout-flow wp-block-quote-is-layout-flow\"><p><strong>Parte prima<\/strong><\/p><p><strong>La Gazza ladra<\/strong><\/p><p>1.<\/p><p>Dove si parla dell&#8217;uccello-giraviti del marted\u00ec e di creature con sei dita e quattro seni<\/p><p><\/p><p>Avevo la pasta sul fuoco in cucina, quando squill\u00f2 il telefono. Alla radio davano la <em>Gazza ladra<\/em> di Rossini, il sottofondo musicale ideale per prepararsi un piatto di spaghetti, e io l&#8217;accompagnavo fischiando. Fui tentato di non rispondere, gli spaghetti erano quasi cotti, e Claudo Abbado stava giusto per portare l&#8217;orchestra filarmonica di Londra all&#8217;apice dell&#8217;intensit\u00e0 drammatica. Pazienza, mi rassegnai ad abbassare il fuoco,andai nel soggiorno e sollevai il ricevitore. Poteva anche essere un conoscente con qualche nuova proposta di lavoro.<\/p><cite><em>L&#8217;uccello che girava le viti del mondo<\/em>, Murakami Haruki<br>Einaudi 2007 &#8211; ISBN 978-88-06-18817-7<\/cite><\/blockquote>\n\n\n\n<h2 class=\"wp-block-heading\">The Wind-Up Bird Chronicle<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Book One: The Thieving Magpie<\/strong><br><strong>June and July 1984<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Tuesday\u2019s Wind-Up Bird<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u2022<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Six Fingers and Four Breasts<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">When the phone rang I was in the kitchen, boiling a potful of spaghetti and whistling along with an FM broadcast of the overture to Rossini\u2019s <em>The Thieving Magpie<\/em>, which has to be the perfect music for cooking pasta.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I wanted to ignore the phone, not only because the spaghetti was nearly done, but because Claudio Abbado was bringing the London Symphony to its musical climax. Finally, though, I had to give in. It could have been somebody with news of a job opening. I lowered the flame, went to the living room, and picked up the receiver.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Excerpted from <\/em>The Wind-Up Bird Chronicle<em> by Haruki Murakami. Copyright \u00a9 1997 by Haruki Murakami.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Estratto dal bellissimo <a rel=\"noreferrer noopener\" href=\"http:\/\/www.harukimurakami.com\/chapter_sample\/the-wind-up-bird-chronicle\" target=\"_blank\">sito<\/a> di Murakami Haruki<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/www.harukimurakami.com\/q_and_a\/a-conversation-with-chip-kidd-and-john-gall\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"595\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/murakami-website-2020.png?resize=1024%2C595&#038;ssl=1\" alt=\"\" class=\"wp-image-386\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/murakami-website-2020.png?resize=1024%2C595&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/murakami-website-2020.png?resize=600%2C349&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/murakami-website-2020.png?resize=300%2C174&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/murakami-website-2020.png?resize=768%2C446&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/murakami-website-2020.png?resize=1536%2C892&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/murakami-website-2020.png?resize=2048%2C1190&amp;ssl=1 2048w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/murakami-website-2020.png?resize=1200%2C697&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/murakami-website-2020.png?resize=1980%2C1150&amp;ssl=1 1980w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/murakami-website-2020.png?w=3000&amp;ssl=1 3000w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><figcaption>uno <em>screenshot<\/em> dal sito di Murakami<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Murakami e il <em>design<\/em><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Partendo da <a rel=\"noreferrer noopener\" href=\"http:\/\/www.harukimurakami.com\/q_and_a\/a-conversation-with-chip-kidd-and-john-gall\" target=\"_blank\">questa pagina<\/a> si trova un mondo di design e di concetti grafici, autori e designer che parlano di come nascono le sovraccoperte (<em>book-jackets<\/em>) e tutto il magnifico lavoro che c&#8217;\u00e8 dietro.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sono due graphic-designer americani d&#8217;eccezione gli artefici della meravigliosa copertina di <em>The Wind-Up Bird Chronicle<\/em>: <a href=\"https:\/\/it.wikipedia.org\/wiki\/Chip_Kidd\">Chip Kidd<\/a> (ha anche un <a href=\"http:\/\/chipkidd.com\/home\/\">sito ufficiale<\/a>) e <a href=\"https:\/\/en.wikipedia.org\/wiki\/Chris_Ware\">Chris Ware<\/a>.<br>Designer e art-director il primo, specializzato in copertine di libri; designer, fumettista e illustratore il secondo: insieme formano una bella fetta del mondo della grafica editoriale e dell&#8217;illustrazione.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/chip_kidd_3_jacob_armitage.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"611\" height=\"404\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/chip_kidd_3_jacob_armitage.jpg?resize=611%2C404&#038;ssl=1\" alt=\"\" class=\"wp-image-393\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/chip_kidd_3_jacob_armitage.jpg?w=611&amp;ssl=1 611w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/chip_kidd_3_jacob_armitage.jpg?resize=600%2C397&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/chip_kidd_3_jacob_armitage.jpg?resize=300%2C198&amp;ssl=1 300w\" sizes=\"auto, (max-width: 611px) 100vw, 611px\" \/><\/a><figcaption><strong><a href=\"http:\/\/chipkidd.com\/home\/portfolio-3\/\">Chip Kidd<\/a><\/strong>, la sovraccoperta dell&#8217;edizione americana (hard-cover) del libro di Murakami<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/Kidd-Wind-Up-Bird-Diagram-BW-Original-Stat.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"801\" src=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/Kidd-Wind-Up-Bird-Diagram-BW-Original-Stat.jpg?resize=1024%2C801&#038;ssl=1\" alt=\"\" class=\"wp-image-394\" srcset=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/Kidd-Wind-Up-Bird-Diagram-BW-Original-Stat.jpg?resize=1024%2C801&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/Kidd-Wind-Up-Bird-Diagram-BW-Original-Stat.jpg?resize=600%2C470&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/Kidd-Wind-Up-Bird-Diagram-BW-Original-Stat.jpg?resize=300%2C235&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/Kidd-Wind-Up-Bird-Diagram-BW-Original-Stat.jpg?resize=768%2C601&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/Kidd-Wind-Up-Bird-Diagram-BW-Original-Stat.jpg?resize=1536%2C1202&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/Kidd-Wind-Up-Bird-Diagram-BW-Original-Stat.jpg?resize=1200%2C939&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/Kidd-Wind-Up-Bird-Diagram-BW-Original-Stat.jpg?resize=1980%2C1549&amp;ssl=1 1980w, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/Kidd-Wind-Up-Bird-Diagram-BW-Original-Stat.jpg?w=2000&amp;ssl=1 2000w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><figcaption><strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Chris_Ware\">Chris Ware<\/a><\/strong>, idea per il meccanismo dell&#8217;uccello meccanico<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">La copertina dell&#8217;edizione <em>paperback<\/em> italiana di Einaudi (in testa a quest&#8217;articolo, sullo sfondo la mia libreria) non \u00e8 altrettanto &#8220;costruita&#8221;. Presenta una bella foto e il solito <em>lettering<\/em> delle collane Einaudi ma la trovo misteriosa e sottilmente inquietante come il romanzo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La foto \u00e8 di <em>Shoko Yukitake<\/em> &#8211; Gettyimages<br>il progetto grafico, non di gran spessore, di <em>46xy<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ogni tanto, per caso, riaffiorano libri che hai amato e che avevi scordato.<\/p>\n","protected":false},"author":1,"featured_media":379,"comment_status":"open","ping_status":"open","sticky":false,"template":"templates\/template-full-width.php","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6,53],"tags":[15,13,14],"class_list":["post-375","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-grafica","category-miti","tag-giappone","tag-libri","tag-murakami"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Una copertina: Murakami - L&#039;uccello che girava le viti del mondo\/\/ - Marco Salmoiraghi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/2020\/04\/19\/murakami-aruki-luccello-che-girava-le-viti-del-mondo\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Una copertina: Murakami - L&#039;uccello che girava le viti del mondo\/\/ - Marco Salmoiraghi\" \/>\n<meta property=\"og:description\" content=\"Ogni tanto, per caso, riaffiorano libri che hai amato e che avevi scordato.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/2020\/04\/19\/murakami-aruki-luccello-che-girava-le-viti-del-mondo\/\" \/>\n<meta property=\"og:site_name\" content=\"Marco Salmoiraghi\" \/>\n<meta property=\"article:published_time\" content=\"2020-04-19T23:24:37+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-07-07T11:59:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/IMG_1424-scaled.jpg?fit=2560%2C1920&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1920\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Marco\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Marco\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.marcosalmoiraghi.eu\\\/sandbox\\\/2020\\\/04\\\/19\\\/murakami-aruki-luccello-che-girava-le-viti-del-mondo\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.marcosalmoiraghi.eu\\\/sandbox\\\/2020\\\/04\\\/19\\\/murakami-aruki-luccello-che-girava-le-viti-del-mondo\\\/\"},\"author\":{\"name\":\"Marco\",\"@id\":\"https:\\\/\\\/www.marcosalmoiraghi.eu\\\/sandbox\\\/#\\\/schema\\\/person\\\/418b74e37e3357a75b8a7eec67328b66\"},\"headline\":\"Una copertina: Murakami &#8211; 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Personaggio insondabile, politicamente scorretto, suo padre era di Partinico e con l'Italia aveva (?) un rapporto speciale. Frank Zappa, l'Italia e i fumetti - All'inizio degli anni '80 un altro personaggio stava guadagnando fama mondiale, almeno nel sottobosco\u2026","rel":"","context":"In &quot;grafica&quot;","block_context":{"text":"grafica","link":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/category\/grafica\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2022\/12\/frank-zappa-napoli-1982.jpg?fit=1029%2C456&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2022\/12\/frank-zappa-napoli-1982.jpg?fit=1029%2C456&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2022\/12\/frank-zappa-napoli-1982.jpg?fit=1029%2C456&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2022\/12\/frank-zappa-napoli-1982.jpg?fit=1029%2C456&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":3189,"url":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/2022\/12\/22\/le-locandine-del-teatro-del-maggio-musicale-fiorentino\/","url_meta":{"origin":375,"position":2},"title":"Le locandine del Teatro del Maggio Musicale Fiorentino","author":"Marco","date":"22 Dicembre 2022","format":false,"excerpt":"Quando la buona tipografia basta alla grafica... Trovo di grande equilibrio le locandine create per il Teatro del Maggio Musicale Fiorentino. Il carattere tipografico dovrebbe essere un Baskerville (bold condensed?). Molto bello anche il colore di highlight #EA5044. Il nero \u00e8 un nero pieno #000000. In rari casi, quando le\u2026","rel":"","context":"In &quot;grafica&quot;","block_context":{"text":"grafica","link":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/category\/grafica\/"},"img":{"alt_text":"Maggio Musicale Fiorentino - Linda di Chamounix","src":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2022\/12\/Locandiana_Linda.jpg?fit=840%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2022\/12\/Locandiana_Linda.jpg?fit=840%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2022\/12\/Locandiana_Linda.jpg?fit=840%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2022\/12\/Locandiana_Linda.jpg?fit=840%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1680,"url":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/2021\/07\/26\/la-collana-millelire-di-stampa-alternativa\/","url_meta":{"origin":375,"position":3},"title":"La collana &#8220;Millelire&#8221; di Stampa Alternativa\/\/","author":"Marco","date":"26 Luglio 2021","format":false,"excerpt":"Libriccini piccoli a prezzi popolari, su argomenti scomodi, sulle droghe, sulla filosofia \"non allineata\", sull'ecologia. Libriccini che hanno rivoluzionato l'editoria Italiana a partire dal 1989. Negli anni '90 in Italia si pagava con le Lire. 1000 Lire erano pochine, un prezzo decisamente popolare. Con l'arrivo dell'Euro il cambio di 1000\u2026","rel":"","context":"In &quot;grafica&quot;","block_context":{"text":"grafica","link":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/category\/grafica\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/07\/millelire.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/07\/millelire.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/07\/millelire.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/07\/millelire.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/07\/millelire.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1947,"url":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/2021\/10\/13\/type-foundry-da-seguire\/","url_meta":{"origin":375,"position":4},"title":"Type foundry da seguire\/\/","author":"Marco","date":"13 Ottobre 2021","format":false,"excerpt":"Da quando il Signor Gutemberg \u2014qui sopra\u2014 ha introdotto in Europa la stampa a caratteri mobili (1454) inventata dal cinese Bi Sheng circa 400 anni prima, sono cambiate tante cose. Alcune Type foundry da seguire. La tipografia moderna intesa come riproduzione in serie di libri e altri manufatti scritti \u00e8\u2026","rel":"","context":"In &quot;creativit\u00e0&quot;","block_context":{"text":"creativit\u00e0","link":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/category\/creativita\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/Gutenberg.jpg?fit=944%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/Gutenberg.jpg?fit=944%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/Gutenberg.jpg?fit=944%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/10\/Gutenberg.jpg?fit=944%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1022,"url":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/2021\/05\/17\/la-divina-commedia\/","url_meta":{"origin":375,"position":5},"title":"La Divina Commedia in grafica\/\/","author":"Marco","date":"17 Maggio 2021","format":false,"excerpt":"Inferno, Purgatorio e Paradiso, uno studio sull'anima dei caratteri tipografici e dei colori. La Divina Commedia in grafica, un lavoro sul carattere dei caratteri. esperimenti di tipografia Inferno Il rosso della passione per il Male che vi divor\u00f2 in vita e che vi dann\u00f2 dopo la vita. Il nero della\u2026","rel":"","context":"In &quot;grafica&quot;","block_context":{"text":"grafica","link":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/category\/grafica\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/01\/la-commedia-teaser.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/01\/la-commedia-teaser.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/01\/la-commedia-teaser.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/01\/la-commedia-teaser.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2021\/01\/la-commedia-teaser.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.marcosalmoiraghi.eu\/sandbox\/wp-content\/uploads\/2020\/04\/IMG_1424-scaled.jpg?fit=2560%2C1920&ssl=1","_links":{"self":[{"href":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/wp-json\/wp\/v2\/posts\/375","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/wp-json\/wp\/v2\/comments?post=375"}],"version-history":[{"count":22,"href":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/wp-json\/wp\/v2\/posts\/375\/revisions"}],"predecessor-version":[{"id":436,"href":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/wp-json\/wp\/v2\/posts\/375\/revisions\/436"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/wp-json\/wp\/v2\/media\/379"}],"wp:attachment":[{"href":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/wp-json\/wp\/v2\/media?parent=375"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/wp-json\/wp\/v2\/categories?post=375"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marcosalmoiraghi.eu\/sandbox\/wp-json\/wp\/v2\/tags?post=375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}